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Corps lost, PP Pasolini


The study group on literature and technology, bodies, machines, instruments, is pleased to invite men

FRIDAY May 12, 2006, AT 11, I
HALL, Department of Italian,
Via Zamboni 32 BOLOGNA

Corps lost
History and representation of the body in the work of PP Pasolini


In the gestures, costumes, just in the physical presence of bodies in society, Pasolini is looking for signs (traumatic ) anthropological mutation induced by the new capitalism.

* Dr. Luigi Virgolin, controller of the PP Pasolini at the Bologna Film Library, will speak on
offering a historical and critical through the final production phase of the director and writer of Pasolini.

* Dr. Raoul Melotto, a graduate student in comparative literature (University of Bologna), will present
A summary of the film theory of the author, as part of a more general definition of the second body
contemporary perspective of semiotics. * The

dott.sa Picciaiola Samanta, a PhD in Italian Studies (University of Paris IV),
identify some problematic issues around the presence of the body in Pasolini
theater and then to the foundation of a new concept of theater.

The meeting involves the screening of some clips from films and documentaries from the archives
PP Pasolini: The body

Alibech lost. "Dossier Pier Paolo Pasolini" in the nineteenth edition of "The Fountain Cinema" 2005. Reconstruction of lost
tenth episode of The Decameron (1971) by Pier Paolo Pasolini
The Walls of Sana'a, by Pier Paolo Pasolini, 1970
The shape of the city, Paul Brunatto, RAI, 1974


Information: http://colporteurs.blogspot.com colporter@gmail.com

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News, upcoming meetings

Beloved, is pleased to inform you that the blog has totaled 131 hits in less than a month. It 's a small record. If those were also one hundred and thirty seminars do not know where to put them. The next meeting, the
May 12, FRIDAY ì , to h. 11:00, Room I, dip. Italian Studies, Via Zamboni 32
is entirely devoted to PP Pasolini. Interventions will be Raoul Melotto (Univ. of Bologna), Samantha Picciaiola (Univ. of Paris IV and Florence) and Luigi Virgulin, the documentation center on Pasolini present at the Cinematheque of Bologna (find more information about his work a few posts below ). We will see and hear bodies of lost (and found) of Pasolini's film and theater. Soon I will publish the flyer of the event and a short introductory text. On

Fabula was published Appel à contribution which affects the work of many of us. You can find it at
http://www.fabula.org/actualites/article14069.php

It 's a search that starts in France this year, with a project that will take several years. In the linked page you will find all the references.

Finally, we apologize for the error of flashy flyer on 20 April. It said Friday, while it is clear that 20 was Thursday. However, did not notice anyone.

If you have comments or suggestions, or just to have information, please contact us at colporter@gmail.com . We will be happy to answer.

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new manifesto, April 20, 2006

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News, headlines, proposals, travel

Dear all,
we have some news. The first is that the meeting was postponed to April 20, immediately after Easter. So far
Raoul has offered to make a short speech (short I will tell you the topic, attenente the body anyway), and a graduate student in Siena, Elena Cappellini, sent me this email with your proposal for action, which seems very interesting around you at once.
A warm greeting, we feel very soon

Dear James,
I write now and cast a few ideas to avoid the risk, tomorrow, to fall into the usual laziness and pedantry that I nailed to endless and inconclusive musings.

I develop the theme of the body-machine-tools-men in the modern hospital, studying the impact of new medical technologies on the imaginary of artists and writers. If I have to think at the end of April, the title could be: Pictures of an invisible body. The X-ray imagery in the twentieth century.

to its ability to show the invisible, believe the X-ray is the only picture in which we do not recognize at all: an inner body, fragmented and deadly, before dark and unknown, now illuminated by the rays, is faced for all to see. Among the first radiograph of a left hand (1896) and the emergence of radiology as a set of beliefs and practices for medical use (about two decades later), an intermediate area between science and parascience, the new science of the interior is confused with photo, with the occult, with contemporary advances in psychology and the birth of psychoanalysis. Symptomatic of a deeper reality of appearance, radiology is not only subject of interest and technical-industrial progress, but it interacts with world views and visions of reality, transpositions and symbolic processing by artists and writers.
transposed from the first Futurist and Cubist, its ability to combine the matter and energy, and find the structures below the forms, radiology never seems to have stopped operating on the imaginary literary. I think immediately to the sanatorium and the photographs inside the Magic Mountain by Thomas Mann, the X-rays and the shock of Antonin Artaud during his internment at the psychiatric hospital Rodez, until recently in the building of flesh: a real autobiography that Valentina Magrelli builds through the story of illness, small disturbances, medical surgery and suffered from childhood to today, where the sheets can be collected as in an album of pictures. Chasing the personal or fictional experience of these authors, the reason I seem to fit also in radiological more general issues of illness, hospitalization, etc..

I do not have a bibliography, these are only suggestions derived from Foucault and the course in the History of Medicine Cosmacini and by reading some authors as part of my research. I do not know if the issue could come back to your project, but if so I would be happy to accept your proposal. Let me know.
you soon, Elena